| Country music creeds |
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20 January 12.
Here are some lyrics from the top song on Billboard's top country songs:
Early Monday morning, til Friday 5 Here's #2, from the Tailgates and Tanlines album:
You got your hands up Numbers three through six are love songs that read like every love song. Number five was somewhat interesting, alluding to a breakup and the singer's guilt for cheatin'. Next non-love song:
For me it's a beach bar Consider the characters in the non-love songs I've shown you so far. The characters are deliberately common Johnny Paycheck types. In fact, the narrator in the third example doesn't even have an explicit character, and we are instead left to infer who the person is by a list of things the person enjoys. There's a thread of pop music that is deliberately opaque, so the listener can imagine a mood instead of focusing on the story, like this song about having a crush with an accompanying video about nothing. There is some great writing around interesting characters: The Nields' wallflower or Dinah Washington unloved or this self-loathing narrator and his captor or even this immigrant longing for home which also touches on the I remember fond times motif. The country songs don't have their provenance in any of that. Rather, they trace back to the creed, a document that the faithful are expected to recite to reinforce the teachings of the religion. From the Apostle's creed:
I believe in the Holy Spirit, As literature, it is rudimentary and has no characters to speak of. It is simply a list of things the author of the creed believes in. It was written for others to recite, and when they do, they are affirming that they too believe in these things. The intent of a Christian creed is as clear: to make sure that everybody has their story straight and doesn't stray from the accepted norm. A country song, like any good rock & roll, is meant to be sung along to, and I'd say, subjectively, that country songs tend to be easier than most to sing along with, thanks to an emphasis on clear singing and little divergence from verse-chorus forms. If you go back to the top of this column and read those lyrics as creeds, they make a lot of sense as such. They are a list of things that the speaker believes and enjoys, and not all that much more. Chart-topping hip hop tends to do it too. The singer in this song also has no character or goals beyond her fashion statement:
[...]I'm gonna hit this city But at least this sort of thing is intermixed with hip hop songs that touch on some conflict and characters that do more interesting things. A reader who formerly lived in Austin would also like me to clarify that radio country is not all of country, and was quick to point to current songs in the country genre with good lyrics. I.e., there are still musically intelligent adults who listen to country and still musically intelligent singers who write for them. But that has little to do with what is in heavy rotation on the radio and on Billboard's top sellers list.
How did country music go from being like any other pop but with more twang to being a long
sequence of creeds about how the speaker enjoys family, the outdoors, and a good rock 'n' roll
show? I dunno. But that's what we've got: millions of people who choose to listen to and
recite creeds about a relatively narrow definition of small-town life, each time affirming
faith in that creed and implicitly rejecting alternatives.
At least disagreeing with a country song isn't heresy.
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